The trend set by Raghavendra Rao with this film is followed even now. The film set the trend to shoot the climax in a large scale! Earlier, climax was generally shot in villain dens but not in such a huge set or with so many people in the scene!
Even NTR’s fight with the lion was entertaining to children. Kids liked the episodes of elephants performing pooja and hero taking bath with the help of elephants. Jayanan Vincent is son of cameraman Vincent, who is settled in Canada now.Ĭomedy dialogues by Jandhyala like charitraDakku… cheppindi vinu!, “raamaa!” anTE bootugaa vinapaDutundi were quite popular at that time. Navkanth is the son of Art director Krishna Rao, who is the brother of producer-cameraman S. Navkanth and Vincent Jayanan, the assistant cameramen for the movie, later did many blockbuster movies as cameramen. They both did movies with Balakrishna later. Gopal were assistant directors for the film. His comedy act as Suleman miya was received well too. NTR became the darling for mass appeal and that became a major plus point. All the songs were super hits, thereby bringing a craze to Raghavendra Rao and his team. kRshi unTE…, ennaaLLakennaaLLakennaaLLaku…, and the unforgettable aarEsukObOyi paarEsukunnanu… went crazy with masses among the audiences. Songs played a major role in the hit run of the film. Raghavendra Rao, and Veturi Sundararamamurthy. This film marks the first combination of NTR, K. A forest officer (NTR) goes undercover to nab the smugglers and also take revenge on the villains who killed his father. Ramarao, Jayasudha, Jayaprada, and others SusheelaĬhooDaraa chooDaraa oka choopu O Suleman miyya Kuhoo kuhoo… kOkilamma peLLiki kOnantaa pandiri SusheelaĮnnaLLak(u)ennaaLLak(u)ennaaLLaku, ennellu tirigochche maa kaLLaku!Ĭast: N.T. Ramarao, Pandari Bai, and othersĪarEsukObOyi paarEsukunnaanu harii, harii!
GopalĮditing: Kotagiri Venkateswara Rao, Kotagiri Gopal RaoĪssistant Cameramen: Navkanth, Vincent Jayanan
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